The
conference is accompanied by the spatial installation
Remnants in the atrium. Material traces from various production
processes and workshops at the University of Applied Arts Vienna are brought into dialogue with one another, offering insights
into the diverse practices and forms of hands-on knowledge.
Monday, 23 November 2026
Introduction
and Welcome
11:00–12:30 Institutional Archives and the
Legacy of the Applied Arts (Institutionelle Archive und das Erbe des Kunstgewerbes)
Bernadette
REINHOLD (Art Collection and Archive, University of Applied Arts Vienna): Vision and Reality. The Workshop Idea and the
Vienna School of Arts and Crafts (Vision und Realität. Die Werkstattidee und die Wiener Kunstgewerbeschule)
Rainald
FRANZ (Glass and Ceramics Collection, Museum of Applied Arts Vienna): The School Workshop in the Museum as a Site of Knowledge.
Toward the New Form in Material (Die Schulwerkstatt im Museum als Erkenntnisort. Auf dem Weg zur neuen Form im Material)
Eva
LENHART (Conservation and Restoration, University of Applied Arts Vienna): The Workshop as a Store of Knowledge. Manual
Knowledge and the Intangible Heritage of the Vienna School of Arts and Crafts (Die Werkstatt als Wissensspeicher. Manuelles
Wissen und das immaterielle Erbe der Wiener Kunstgewerbeschule)
Moderation: Matthias
BOECKL (Architectural History, University of Applied Arts Vienna)
—1.15 h lunch
break—
13:45–15:15
The Paris Commune and the Emancipation
of Labour
Kristin ROSS (Cultural and Literature Studies, Paris): Notes on Communal
Luxury
Karim JAFARMADAR (Entrepreneurship, Founder HappyLab, Vienna)
Stefanie KOEMEDA
(Art, Founder Tonhalle, Vienna)
Tomash SCHOISWOHL (Art and Activism, Vienna)
Anna-Maria WOLF (Art, WUK,
Vienna)
Moderation: Brigitte FELDERER (Social Design, University of Applied Arts Vienna)
—15
min break—
15:30–17:00
Material Dialogues (Material Dialogues).
Conversations on Material Traces, Processes and Ecologies (Gespräche zu materiellen Spuren, Prozessen und
Ökologien)
Claudia ROHRAUER / Lisa RASTL-DORNER (Analog Photography,
University of Applied Arts Vienna)
Isabel KRANZ (Cultural Studies, University of Applied Arts Vienna)
DE
Judith
FEGERL (Metal Workshop, University of Applied Arts Vienna)
Sasha ROSSMAN (Art History, University of Applied Arts
Vienna)
EN
Karl SALZMANN (ÆSR Lab, University of Applied Arts Vienna)
Jo SCHINDLER
(Expanded Museum Studies, University of Applied Arts Vienna)
DE
Manuel WANDL (Weaving,
University of Applied Arts Vienna)
Tulay ATAK (Theory of Architecture, University of Applied Arts Vienna) — EN
Introduction:
Ebba FRANSÉN WALDHÖR (Textile, University of Applied Arts Vienna)
—30 min
coffee break—
19:30–21:00
Woven Sounds
Mehdi
AMINIAN (Ney, Setar, Vocals & Musical Director, Vienna)
Maryam ABTAHI (Vocals, Weaving, Isfahan)
Şirin
PANCAROĞLU (Harp, Izmir)
Joss TURNBULL (Percussion, Berlin)
Tohid VAHID (Kamancheh, Isfahan)
Moderation:
Anita HOSSEINI (Art History, University of Applied Arts Vienna) and Karin ALTMANN (Textile, University of Applied Arts Vienna)
Tuesday, 24 November 2026
9:00–9:15
Introduction
and Welcome
9:30–11:00 Situated
Knowledges, Craft Lineages and Critical Practices
Paolo FRANZO (Fashion, University
of Florence)
Stefanie KITZBERGER (Art Collection and Archive, University of Applied Arts Vienna)
Thabisa
MJO (Designer, Johannesburg)
Caterina PECCHIOLI (Interdisciplinary Art & Theory, Amsterdam)
Moderation:
Monica TITTON (Fashion, University of Applied Arts Vienna)
—30 min coffee break—
11:30–12:50From
Code to Clay – Feminist and Open-Source Approaches to Craft and Digital Knowledge
Katrin
MAYER (Art, Berlin): The Need for Each Other's Relay
Derek AU (Ceramic Art and Software Development,
New York): Recipes Don't Travel Well: Glazy and the Global Workshop
Moderation:
Patrícia J. REIS (Digital Art, University of Applied Arts Vienna)
—1 h lunch break—
14:00–15:30
The Thinking of the Hand
and Implicit Body Knowledge (Das Denken der Hand und das implizite Körperwissen)
Ernst
GAMPERL (Art, Steingarden): tba
Ann-Sophie LEHMANN (Art History and Material Culture, University of
Groningen): Making in the Space of Appearance (Das Herstellen im Erscheinungsraum)
Moderation:
Sascha ZAITSEVA (Ceramics Studio, University of Applied Arts Vienna)
—30 min coffee break—
16:00–18:00
The Aesthetics of
Error/Rupture – Between Material and Algorithm
Ruth ANDERWALD + Leonhard GROND
(Art, University of Music and Performing Arts Vienna): Stumbling
Michael BRAUN (Design Theory
and Design Research, Bauhaus-UniversityWeimar): Robotic Craft: Working with Deviation
Seth
WEINER (Art and Architecture, Vienna): Beginner’s Sadness
Kristin WEISSENBERGER (Ceramics,
Institute of Fine Arts I, Academy of Fine Arts Vienna): Melted
Moderation: Roswitha SCHULLER
(TransArts, University of Applied Arts Vienna)
18:00–18:30 Final Remarks
Material Stories. Werkstattwissen als Erkenntnisprozess is the second conference in the “Material
Cultures” series organized by the University of Applied Arts Vienna. Through the interdisciplinary “Material Cultures” conference
series, established in 2026, the University of Applied Arts Vienna reflects on its identity as a place for art that has a
social impact.
The material itself and the handling of physical and non-physical materials are explored as
vehicles for knowledge and practice, within the context of multiple, interconnected discourses in art and science, research,
and teaching, in dialogue with social actors. The series bridges theory, experimentation, and practice across studios, seminar
rooms, workshops, archives, and public spaces. The insights gained from the conferences inform the university’s development
and contribute to the global discourse on higher education, thereby fostering social innovation.