Lena Michalik
is alumni of the department of Social Design and will work at AIL from 2 Mar till 28 Mar 2026
During her residency, Lena
Michalik will open her temporary studio at AIL for an open practice of remembering and sharing across two afternoons.
If we consider the body as an archive, there must be a pulsating, all-encompassing network
of knowledge, carried within and amongst us, moving along the ground, passing through the weather, and traversing time.
The artist is interested in how this concept unfolds from lived encounters with snow. What stays in our bodies, and what
becomes visible when memories are shared and placed alongside one another. As snow is an ephemeral body, and its future presence
is uncertain relatively to humanity, this raises the question of how to (re)gain access to these embodied knowledge networks
before snow might be gone.
With the open lab format, Touch Point Snow Lena Michalik invites to an open practice
of remembering and sharing. Together with the artist, visitors explore ways of entering the bodily archive, revisiting the
snowy sites within, and leaving something behind, a gesture, a word, an object, or an action. Through sharing and juxtapositions,
imprints become traces that might allow access to that profound network.
Lena Michalik (she/her)
is an interdisciplinary artist, educator, and researcher working between Vienna and Bolzano. In her work, she connects spatial
practice with performance and poetry.
During her residency at the AIL, by thinking with snow, Michalik will inhabit
the fluid and porous terrains between apparent dualisms such as urban and rural, tradition and progress, distance and proximity,
up and down. She will attend to the embeddedness of her own body in the local water cycles by sensing and tracing upstream
the currents to the porous Alpine Bodies of Snow. In doing so, she will critically confront technologies often used in snow
hydrology, such as remote sensing and GIS, with the artistic means of figuration, poetry, and embodiment, testing whether
such high-end technologies can contribute to one’s own abilities of situatedness and knowing place.
Open
Studio: Karina Fernández and Lena Michalik