Chimera: the Animal, the Machine, and the Almost Human

Specifically, the investigation delves into the enduring concept of Chimera, a creature central to Rajcevic’s enquiry, which symbolizes a fusion of entities and practices, born from the amalgamation of machine, animal, and human, as well as the blend of artistic, scientific, and cultural endeavors. In conjunction with Rajcevic’s artistic practice, which creates Chimera entities by altering and extending the body through non-anthropomorphic artifacts or ‘chimeric embodiments’, the study explores diverse scenarios of possibilities, consequences, and experiences of mental and somatic boundaries and mutations. It particularly investigates the role of animal–human imaginings as a catalyst for reconfiguring discourses around technological advancement and as a possible driver for redesigning socio-political entities that can explore and imagine futures. Through a dialog between historical and contemporary practices of hybridity and human augmentation, the research interweaves stories of scientific advance in robotics, prosthetics and stem-cell implantations, with the imaginative realms of mythology, history, art, and literature.
Including Rajcevic’s own Chimera artworks spanning the last 13 years, the exhibition will present two most recent Chimera artworks: Mechanical Bloom and The cell.