Using
selected works of art as examples, we will also look at the absurdity of trying to reconcile juridical and aesthetic speech
in court, because the value systems they refer to are hardly compatible. It will be all the more revealing to trace a historical
transformation on the basis of court records and to show how, in the course of the last two decades, supposed individual cases
have led to a standard legal procedure and how the gradual restrictions on artistic freedom are linked to developments in
society as a whole as well as to security policy interests.
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