"In my notes I have tried to be
impartial. Even though I am white and proud of the capacities and pre-eminence of my race, I have lived enough – for more
than 15 years – amongst people of different colour who have other ways of thinking to have got rid of many prejudices." (Enrique
Stanko Vráz)
With these words, the Czech traveller Enrique Stanko Vráz (1860-1932) introduced
the book
China (1904), an account of his travels across east Asia. Vráz was one of many individuals from
the Czech lands who travelled across the globe at the turn of the century, visiting distant lands, and who collected works
of art and artefacts, and then deposited them with museums in Prague and elsewhere. They ensured that museums in the current
Czech Republic have rich collections of ceramics, textiles, and metalwork from China, India and the Islamic world. Their donations
are much celebrated.
In recent years, and in the light of debates over the restitution of museum collections, their
activities have come under growing scrutiny. However, what is of increasing interest, too, is how their collecting, as one
of the primary ways in which Czechs came into contact with non-European peoples, helped define a sense of national identity.
Czechs imagined themselves to be different from the colonizing powers of Belgium, Britain or France, for example, and the
sentiments of figures such as Vráz could be marshalled as evidence of a different kind of sensibility. This notion of ‘exceptionalism’
was not unique to the Czechs. Austrians, for example, liked to contrast themselves with the supposed rapacious Germans. This
talk is thus concerned with how the encounter with non-European peoples, engaging with their art and culture, informed notions
of national identity in the early 20th century. It also asks, however, how much credibility these claims had. Were Czechs,
Austrians and other central Europeans really so different?
Textile
Transfers. The Collections of Rosalia Rothansl and Mileva Stoisavljevic-RollerAn exhibition by Collection and
Archive, University of Applied Arts ViennaUniversity Gallery Heiligenkreuzerhof
Duration: 2 May – 15
July 2025
Opening hours: Wednesday–Saturday, 14:00-18:00
Closed on public holidays
