One of the crucial questions that I ask is in fact twofold: What kinds of
language and what memories of past experiences are available to me in my efforts to make the invisible visible? And does the
artistic research that I have undertaken make it easier for me to cope with the illness? Does it serve as a support to me
in the process of reappropriating a body that I have come to perceive as foreign? Also of particular interest is the question
of how and if instances of subjective perception can be conveyed visually as ‘embodiments’ and what relevance these embodiments
can have with regard to the medical humanities as well as in the clinical context. The title of the project is to be understood
literally as referring to work with needle and thread, but also as indicating a conceptual approach. I ask myself the question:
Can I use Jacques Lacan’s notion of ‘suture’ as the basis of an artistic method? This notion signifies a process whereby the
past is studded retroactively with stitches as a production of meaning. Textile membranes and drawing paper are the ‘canvas’
on which I record physical sensations and a means that enables me to reflect on the transition from sensation to perception
and from perception to visual representation, a process that culminates in a Phenomenological Archive of Body Sensations.
The exhibition will present drawings, textile works and photographs.
Barbara Graf is a visual artist and senior
lecturer at the University of Applied Arts Viennawww.barbara-graf.atAusstellung:19. – 20. Februar 2024, 12:00 – 17:00h
21. – 22. Februar 2024, 13:00 – 18:00h
If you would like to visit the exhibition outside opening hours, please contact:
barbara.graf@uni-ak.ac.atDefensio:23. Februar 2024, 10:00h
Ort:
Zentrum Fokus Forschung
Rustenschacherallee
2-4, 1020 Wien
Betreuerin: Barbara Putz-Plecko
Prüfungskommission: Ruth Anderwald, Monika Ankele, Julian
Klein, Alice Pechriggl, Barbara Putz-Plecko