One of the crucial questions
that I ask is in fact twofold: What kinds of language and what memories of past experiences are available to me in my efforts
to make the invisible visible? And does the artistic research that I have undertaken make it easier for me to cope with the
illness? Does it serve as a support to me in the process of reappropriating a body that I have come to perceive as foreign?
Also of particular interest is the question of how and if instances of subjective perception can be conveyed visually as ‘embodiments’
and what relevance these embodiments can have with regard to the medical humanities as well as in the clinical context. The
title of the project is to be understood literally as referring to work with needle and thread, but also as indicating a conceptual
approach. I ask myself the question: Can I use Jacques Lacan’s notion of ‘suture’ as the basis of an artistic method? This
notion signifies a process whereby the past is studded retroactively with stitches as a production of meaning. Textile membranes
and drawing paper are the ‘canvas’ on which I record physical sensations and a means that enables me to reflect on the transition
from sensation to perception and from perception to visual representation, a process that culminates in a Phenomenological
Archive of Body Sensations.
The exhibition will present drawings, textile works and photographs.
Barbara Graf
is a visual artist and senior lecturer at the University of Applied Arts Viennawww.barbara-graf.atAusstellung:19. – 20. Februar 2024, 12:00 – 17:00h
21. – 22. Februar 2024, 13:00 – 18:00h
If you would like to visit the exhibition outside opening hours, please contact:
barbara.graf@uni-ak.ac.atDefensio:23. Februar 2024, 10:00h
Ort:
Zentrum Fokus Forschung
Rustenschacherallee
2-4, 1020 Wien
Betreuerin: Barbara Putz-Plecko
Prüfungskommission: Ruth Anderwald, Monika Ankele, Julian
Klein, Alice Pechriggl, Barbara Putz-Plecko