Twelve images and one video tell the ¬story of the monopolization of seeds. This work
on the progressive privatization of common property began with the opening of the Svalbard Global Seed Vault in 2008 in Norway.
Alice Creischer and Andreas Siekmann examine the problematic nature of this development by drawing on historical investigations
on economics and politics and their critical graphic portrayal during the world economic crisis of the 1930s.
Their
work covers developments from the beginnings of the agro-industry during the «Dust Bowl» in the USA in the 1930s to the current
impact of seed monopolies on global agriculture. It’s a story of disasters and catastrophes in which those who caused the
catastrophes in the first place go on to exploit their dynamics to create new «demands» and productivity regimes. The point
of departure for the research was the opening of the Global Seed Vault in Spitsbergen in 2008, which claims to preserve the
planet’s seed diversity, but is in fact financed by the world’s biggest seed monopolists: Syngenta, Monsanto and Pioneer.
The work has been produced for Kunstraum Lakeside, 2005 and 2014/15.
Andreas Siekmann (Hamm, Germany, 1961) studied History
and History of Art at the University of Munich, and was awarded his doctorate in Art at the Kunstakademie Düsseldorf. Since
1987 he has taken part in many exhibitions, some as important as Documenta in Kassel. Since the 90s he has done collective
works, some in association with the German artist Alice Creischer. He lives and works in Berlin. Siekmann, whose work always
reveals a clear political stance, has done a number of works on the forces of exclusion and zones of repression, issues he
always tackles with ingenuity and an outstanding associative logic.
