Dirty Pink Waters of Collectivity

Talks and Workshops Series on Intersectional Art Pedagogies

Organisiert von der Abteilung Kunst und Kommunikative Praxis (KKP)

Dirty Pink Waters of Collectivity (DPW) ist eine interdisziplinäre Veranstaltungsreihe, die sich mit intersektionaler Kunstpädagogik befasst, sie inkludiert verschiedene Formate wie Vorträge, Filmvorstellungen, Aktzeichnen und Workshops.

Die Reihe adressiert kollektive Praktiken in Kunst und Bildung, die intersektionale und post-migrantische Positionen verstärken. Kunstpädagogik wird weltbildend, wenn sie ihre Beziehungsfähigkeit (Relationalität), das Ent-üben und das Nicht-Wissen in die Praxis umsetzt. Sie schafft Raum für widersprüchliche, ineinandergreifende und fließende Identitäten und lässt Raum für die Verschmutzung der dominanten Sprache(n) zu.

DPW wird kuratiert und organisiert von Sofia Bempeza, Annette Krauss und Verena Melgarejo Weinandt, Abteilung Kunst und Kommunikative Praxis (KKP) der Universität für Angewandte Kunst Wien.

Save the Dates WS 2026/27

#1 Book Launch
Incomputable Earth, Technology and the Anthropocene Hypothesis
with Antonia Majaca, Monika Halkort & guests

#2 Film Screening & Reading Session
Cultivating Otherwise – Compost Day #24
curated by Ipek Hamzaoğlu, in cooperation with Klasse für Alle

#3 Poetry Workshop & Festival
Poetic Intuition – Queer intersectional storytelling festival
with Ghostpoet (Dr. Obaro Ejimiwe), in cooperation with Diversity Office STIR and Verein hint. wien

#4 Magazine Issue Launch
Arts of the Working Class
with Maria Inés Plaza Lazo, hosted by Lia Kastiyo- Spinosa

#5 Lecture-Workshop
A Decolonial Classroom – Imaginative Ways Forward
with Derek Roberts / AEWTASS, hosted by Nicole Miltner

More information

#1 Book Launch
Incomputable Earth, Technology and the Anthropocene Hypothesis
with Antonia Majaca, Monika Halkort & guests

15 October 2026
18:00 – 20:00
VZA7, 3. OG, FLUX I

The event will be held in English

Incomputable Earth: Technology and the Anthropocene Hypothesis challenges the dominant narrative that positions technological solutions as the primary response to ecological crisis. This open access collection argues that climate breakdown represents an irreducibly incomputable problem that cannot be resolved through algorithmic optimization or cybernetic planetary management. Radically interrogating the political epistemology underlying the Anthropocene hypothesis against the backdrop of new regimes of algorithmic classification and prediction, this volume addresses the crucial need to rethink the meaning and inter-relationality of “human,” “nature,” and “technology.” Drawing on feminist science studies, decolonial epistemologies, and historical materialist analysis, the contributors examine how computational frameworks transform Earth’s complex relationships into extractable data, perpetuating the very logics that created planetary crisis.

Antonia Majaca is a Research Fellow in the Department of Philosophy and Cultural Heritage at Ca‘ Foscari University of Venice, Italy, where her research within the ERC-funded HealthXCross project examines microbiome technoscience through decolonial feminist and historical materialist analysis

Monika Halkort is an assistant professor at the University of Applied Arts Vienna. Her current research focuses on political ecologies of transformation, emphasizing the material entanglements of extractivism, circularity and just transition discourses in post-mining societies.


#2 Film Screening & Reading Session
Cultivating Otherwise – Compost Day #24
curated by Ipek Hamzaoğlu, in cooperation with Klasse für Alle

13 November 2026
18:00 – 20:00

University of Applied Arts Vienna
Studio Klasse für Alle
Heiligenkreuzerhof
1010 Vienna

Entrance
Schönlaterngasse 5 or Grashofgasse 3
Stairs 8 / Ground level

The event will be held in English

Long understood as a condensed image of society, the garden has served as a testing ground for how societies imagine their relationship to land, labor, and life itself. It is a place where ideas of care, control, belonging, and coexistence are negotiated on an intimate scale. More than a site of leisure or beauty, the garden reveals how humans and the earth shape, organize, and contest their relationship. Once imagined as an enclosed paradise or a symbol of harmony, it later became a marker of power, ownership, and political order. Today, in the present moment of ecological urgency, the garden re-emerges as a space that demands critical attention rather than nostalgia.

The films in this program approach gardening as a situated, embodied practice rather than a romantic ideal. Gardens emerge as spaces of survival, adaptation, and reconfiguration, where marginalized, postcolonial, and queer communities cultivate not only plants but alternative ways of living together. Knowledge passes between people through shared work, observation, and repeated gestures. The pace of this work allows for attention to the soil, the body, and what previous generations have learned. Yet care does not place the garden outside conflict. These films consider the garden not as a finished form, but as an ongoing process: a site where care and struggle intersect, where memory is tended, and where new social imaginaries take root. These imaginaries are fragile, provisional, yet insistently alive.

More information

Veranstaltung
Film Screening & Reading Session
13. November 2026, 14:00 - 18:00
Studio Klasse für Alle, Heiligenkreuzerhof, Schönlaterngasse 5, 1010 Wien
Poetry Workshop & Festival
26. November 2026, 18:00 - 20:00
Universität für angewandte Kunst Wien, FLUX 2, Vordere Zollamtsstraße 7, 1030 Wien
Magazine Issue Launch
10. Dezember 2026, 18:00 - 20:00
Universität für angewandte Kunst Wien, Seminarraum 21, Vordere Zollamtsstraße 7, 1030 Wien
Lecture - Workshop
22. Januar 2027, 10:00 - 12:00
Universität für angewandte Kunst Wien, Seminarraum 21, Vordere Zollamtsstraße 7, 1030 Wien