Organized by the department of DIGITAL ARTS/
Ruth Schnell
The invention of software-hardware apparatuses is central to Alexandre Burton’s artistic
process, which he definess as lutherie numérique, where designing an instrument is the equivalent of designing the potential
territory of future works. His production often combines physical (energy) phenomema with audiovisual digital sampling processes.
His works are conceived with some level of open-endedness to let the phenonema draw their own maps, sometimes under the watch
of the performer.
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Meeting
ID: 921 8195 8700
Alexandre Burton's interest for new media stems
from a desire to reveal new forms of expressivity through technological processes. His practice conveys an essential concern
for the relationships created between audio, visual and somatic phenomenon. His works are regularly presented at international
digital art and music festivals. In addition to his activities as part of artificiel, he collaborates with other artistic
and cultural bodies as an generative sound and visual designer.
