Organized
by the department of DIGITAL ARTS/ Ruth Schnell
The invention of software-hardware apparatuses is
central to Alexandre Burton’s artistic process, which he definess as lutherie numérique, where designing an instrument is
the equivalent of designing the potential territory of future works. His production often combines physical (energy) phenomema
with audiovisual digital sampling processes. His works are conceived with some level of open-endedness to let the phenonema
draw their own maps, sometimes under the watch of the performer.
join the zoom meeting:
Meeting ID: 921 8195 8700
Alexandre Burton's interest for new media stems from a desire to reveal new forms of
expressivity through technological processes. His practice conveys an essential concern for the relationships created between
audio, visual and somatic phenomenon. His works are regularly presented at international digital art and music festivals.
In addition to his activities as part of artificiel, he collaborates with other artistic and cultural bodies as an generative
sound and visual designer.
