Inspired by and as hommage to, "realtime composer“ and improviser Steve Paxton goldberg365 started as a project of ongoing
improvisation in public space on a daily basis, dancing and performing, using the frame of the so called Goldberg-variations
bei baroque composer Johann Sebastian Bach. Aschwandens interests are mostly focused on adapting and performing the variations
in public space, related to, and within the textures of the urban, as a nonlinear mapping, taking along phisical forms of
thinking with the body. Measuring the spaces and locations, the not outspoken there, the defined as well as the undefined.
Stage designer Stephanie Rauch created a portable space marker which, once unfolded intervenes in the everyday life, supports
place making. The series lasting over a period of 365 days speaking about potential relations of art and life in the context
of public and privat space. Goldberg 365 intended to vary the variation on all levels: sound, space, movement. Aschwanden
often uses a version created especially for the event by Beijing experimental musician Liu Xinyu relating to the the original
of Johann Sebastian Bach.