Teachers and Employees

Loichinger, Hannes Sen.Sc. Mag.art.

Kontakt
Standort: Schwanzer-Trakt
Telefon: +431711332623
Fax: -
Mobil: -
E-Mail: hannes.loichinger@uni-ak.ac.at
Organisationseinheiten: Malerei
Aktuelles Lehrangebot 2023W 2024S
VU Lektürekurs Malerei
SEK Lektürekurs Malerei
documents/publications
edited books/publications
Tobias Kaspar — Independence 2009–2019 2020
chapters
"It Glows Within Quotation Marks" 2023
Die Gegenwart als Vergangenheit der Zukunft 2020
The Present as the Past of the Future 2020
reviews
Christian Egger Fwd: Disparate Threads! False Endings! (Schere & Kette) 2022
Kunst der Kybernetik 2021
Realitätseffekte 2019
general documents/publications
No Dandy, No Fun. (Monograph). (editor), London, England, Vereinigtes Königreich. 2023
No Dandy, No Fun. (Monograph). (Editor), London, England, Vereinigtes Königreich. 2023
Bilder der Freiheit. (Monograph). (Editor), Hamburg, Deutschland. 2021
From Work to Frame, or, Is There Life After "The Death of the Author". (Journal). (Author), Berlin, Deutschland. 2021
Vom Werk zum Rahmen. Oder: Gibt es Leben nach "Der Tod des Autors"?. (Journal). (Author), Berlin, Deutschland. 2021
The Present Conditions of Being Tobias Kaspar aka Luxury Drag. (Scientific Publication). (Author). 2020
PROVENCE SS 19. (Artistic Book/Catalogue). (Editing), Leipzig (Deutschland). 2019
InterCity. (Artistic Publication). (Author), Hamburg, Brüssel (Deutschland). 2018
exhibitions
tmas 2023–2024
Bibliothek Haus des Widerstands 2023
The Practice of Critisicm 2023
Source Materials 2022–2023
After 8 Books 2022
Diffuses Across Deviations at Work (after R.H. Quaytman) 2022
REAL / BOOKS 2022
Restaging Geld 2022
NM 2021–2022
Reader 2 2021
teaching projects & external teaching
teaching projects & external teaching
From Work to Frame and Back Again (Into the Book) 2021
conferences & symposia
The Practice of Criticism / Die Praxis der Kritik. (Conference). (Organiser/Management), Universität für angewandte Kunst in Wien, Wien, Österreich. 2023
science to public
public appearances
Craig Owens, From Work to Frame, or, Is There Life After “The Death of the Author”? 2021