documents/publications
|
articles |
Choreo-graphic Figures: Scoring Aesthetic Encounters |
2019 |
General documents/publications |
Con-notations: Nikolaus Gansterer. (artistic book/catalogue). (author), Nizza (Frankreich). |
2018 |
Lightness and Matter. Matter and Lightness. (artistic sound/image/data medium). (author), Wien (Österreich). |
2017 |
Manufactories of caring space–time. (artistic sound/image/data medium). (author), Gent. (Österreich). |
2017 |
Wien von Oben. Die Stadt auf einen Blick. (artistic publication). (author), Wien (Österreich). |
2017 |
no/things. (artistic publication). (author), Wien (Österreich). |
2017 |
9 JIGS (TO CO-). (artistic book/catalogue). (author), Wien (Österreich). |
2016 |
Atlas of Lines. (artistic book/catalogue). (author), Berlin (Österreich). |
2016 |
LOREM IPSUM DOLOR SIT AMET (Volume III). (artistic book/catalogue). (author), Österreich. |
2016 |
Choreo-graphic Figures: Beginnings and Emergences. (online newspaper article). (mention), Finnland. |
2015 |
Drawing Now: 2015. (artistic book/catalogue). (author), Munich (Deutschland). |
2015 |
Drawing. The Bottom Line. (artistic book/catalogue). (author), Ghent (Belgien). |
2015 |
FUKT. (artistic book/catalogue). (author), Berlin (Deutschland). |
2015 |
GAGARIN. (artistic book/catalogue). (author), Antwerp (Belgien). |
2015 |
Notion of Notation > < Notation of Notion. (newspaper review). (mention), GB u. Nordirland. |
2015 |
Thinking Matters Other Others. (newspaper review). (mention), Deutschland. |
2015 |
DRAWINGROOM. (artistic book/catalogue). (author), Kraichtal/b.Karlsruhe (Deutschland). |
2014 |
The Third Hand. (online newspaper article). (mention), New York (USA). |
2014 |
Translectures. (online newspaper article). (author), Österreich. |
2014 |
Writing Scores. (artistic book/catalogue). (author), Brussels (Belgien). |
2014 |
Artists in Multifunctions. (artistic book/catalogue). (author), Wien (Österreich). |
2013 |
Mind Lines. (artistic book/catalogue). (author), Bratislava (Slowakei). |
2013 |
Schaubilder. (artistic book/catalogue). (author), Berlin (Deutschland). |
2013 |
When Thought becomes Matter and Matter turns into Thought. (artistic book/catalogue). (author), Wien (Österreich). |
2013 |
derdiedas ATLAS usw. (artistic book/catalogue). (author), Wien (Österreich). |
2013 |
"The Hand & The Creature" (Nikolaus Gansterer & Moira Roth). (newspaper review). (artist), Melbourne (Australien). |
2012 |
Kartographisches Denken. (artistic book/catalogue). (author), Wien (Österreich). |
2012 |
Drawing a Hypothesis – Figures of Thought. (artistic book/catalogue). (author), Österreich. |
2011 |
research and projects
|
CHOREO–GRAPHIC FIGURES. DEVIATIONS FROM THE LINE |
|
awards and grants
|
MAC INTERNATIONAL ART AWARD 2018 |
2018 |
Best Austrian experimental animation film 2017 |
2017 |
34. ÖSTERREICHISCHER GRAFIKWETTBEWERB / AUSTRIAN GRAPHIC ART COMPETITION" |
2015 |
Kulturpreis "Bildende Kunst" |
2009 |
Honorary mention for ”Digital Music”, Prix Ars Electronica, Linz, Austria |
2006 |
Förderpreis |
2004 |
Staatsstipendium |
2003 |
exhibitions
|
BOUNDLESS OBJECTS |
2019–2020 |
EXPERIMENTAL DIAGRAMMING |
2019–2020 |
MADE IN MARL |
2019–2020 |
NIKOLAUS GANSTERER |
2019–2020 |
THE EXTENDED MIND |
2019–2020 |
) ( ) DRAWING AS THINKING IN ACTION |
2019 |
ART BRUSSELS |
2019 |
CROSS-SECTIONS at EXLAB |
2019 |
CROSS-SECTIONS at KONSTFACK |
2019 |
ECOCINEMA |
2019 |
FRAGILE NARRATIVES |
2019 |
THE STARS LOOK SO DIFFERENT TONIGHT |
2019 |
THROUGH PHENOMENA THEMSELVES |
2019 |
UNDERSTANDING - ART & RESEARCH |
2019 |
UNDERSTANDING - ART & RESEARCH (Tokio) |
2019 |
UNDERSTANDING – ART & RESEARCH ( Santa Monica) |
2019 |
VIENNA CONTEMPORARY |
2019 |
WHILE I KISS THE SKY |
2019 |
VOLATILE DREAMS - FLÜCHTIGE TRÄUME |
2018–2019 |
CON-NOTATIONS -
exhibition |
2018 |
CROSSSECTIONS: POTENTIALS |
2018 |
KUNST & KOHLE - THE BATTLE OF COAL |
2018 |
LE BOUC DIVIN |
2018 |
REGIME DER VORHERSAGE |
2018 |
THE LONG NOW |
2018 |
THE LONG NOW |
2018 |
TRACES ECRITES |
2018 |
UNDERSTANDING ART & RESEARCH (Dunedin) |
2018 |
"LIGHTNESS AND MATTER. MATTER AND LIGHTNESS" |
2017 |
ARGUMENT PLACE |
2017 |
AUSTRIAN ANIMATION FILM FESTIVAL |
2017 |
CON-NOTATIONS - research residency |
2017 |
DON’T CALL IT OFF-SPACE! |
2017 |
DRAWING PRAXIS |
2017 |
GESTURE, TRACE AND PERFORMANCE |
2017 |
MARSEILLE RÉSONANCE 2017 |
2017 |
NIKOLAUS GANSTERER – EPHEMERAL COHERENCES |
2017 |
TRAJECTORIES #02”: NEW DRAWING EMBODIMENTS |
2017 |
URBAN LIGHTS RUHR FESTIVAL |
2017 |
VIENNA CONTEMPORARY - THE NEW LINE |
2017 |
WIEN VON OBEN. DIE STADT AUF EINEN BLICK |
2017 |
ba ≠ b + a: 10 YEARS MUSA |
2017 |
34. ÖSTERREICHISCHER GRAFIKWETTBEWERB |
2016 |
ANTENNA FUTURA - FUTUROLOGICAL EXERCICES FOR THE UNKNOWN |
2016 |
DRAWING NOW PARIS |
2016 |
FLUCA - AUSTRIAN CULTURAL PAVILION |
2016 |
IN DER KUBATUR DES KABINETTS: GET INVOLVED |
2016 |
KRISTALLE IM BETON – DIE PRODUKTIVE LEICHTIGKEIT |
2016 |
LABOR DER PLÖTZLICHKEIT |
2016 |
MARSEILLE RÉSONANCE 2016 |
2016 |
PROXEMIA – ANOTHER CO-CREATION OF SPACE |
2016 |
THE MINOR GESTURE – LE MOINDRE GESTE – HET KLEINE GEBAAR |
2016 |
34th Austrian Graphic Competition |
2015 |
A Proposal to Call |
2015 |
CALL FOR DRAWINGS |
2015 |
CONTEMPORARY CODE |
2015 |
DRAWING NOW |
2015 |
HAVANA BIENNIAL |
2015 |
IMMUTABLE MOBILES |
2015 |
PROXEMIA - THE CO-CREATION OF SPACE |
2015 |
PSYCHOREOGRAPHIES |
2015 |
THE LATERAL LINE ORGAN |
2015 |
The Bottom Line |
2015 |
The Art of Bombing |
2014–2104 |
From Inner to Outer Shadow |
2014–2015 |
Time (less) Signs |
2014–2015 |
Arte Fiera |
2014 |
Beyond the Line |
2014 |
Correlations |
2014 |
DRAWINGROOM |
2014 |
Drawing Now |
2014 |
Inventing Temperature |
2014 |
Katja Davar / Nikolaus Gansterer |
2014 |
Movement Matters |
2014 |
Our City! |
2014 |
My Brain Is in My Inkstand: Drawing as Thinking and Process |
2013–2014 |
Alchemie |
2013 |
Artissima |
2013 |
Artists in Multifunctions |
2013 |
Athen Biennale 4 |
2013 |
Drawingroom |
2013 |
Jahresgaben |
2013 |
Keep Taking It Apart |
2013 |
Nikolaus Gansterer - When Thought becomes Matter and Matter turns into Thought |
2013 |
Nikolaus Gansterer – Thinking Matters |
2013 |
The Gray Matter Hypothesis |
2013 |
Volta 9 |
2013 |
Wagner Extase |
2013 |
Schaubilder/Diagrams |
2012–2013 |
Zeit(lose) Zeichen / time(less) signs |
2012–2013 |
A study on knowledge |
2012 |
Beziehungsweise |
2012 |
Nicht nur ein Bild, sondern eine ganze Welt |
2012 |
Play together |
2012 |
World Book Design |
2012 |
Connected - Listen to the other side |
2011 |
Lonely at the Top - Graphology 4 |
2011 |
The Borders of Drawing |
2011 |
Traces of Spaces / The Game is Up |
2011 |
Convection |
2010 |
Ohne Titel |
2010 |
Story behold. Story be told |
2010 |
teaching
|
NIKOLAUS GANSTERER - ARTIST TALK |
2018 |
SALON FÜR ÄSTHETISCHE EXPERIMENTE - SPECIAL |
2018 |
Vortrag |
2016 |
Vortrag / Choreo-graphic Figures Summerlab |
2016 |
Vortrag / Choreo-graphic Figures Summerlab |
2016 |
Vortrag / Choreo-graphic Figures Summerlab |
2016 |
Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
"NOTATIONS BETWEEN THOUGHT AND MATTER" |
2014 |
Chinese Whispers & Original Copies |
2013 |
Alien Logic - Figures of Thought |
2012 |
Transakustische Forschung |
1998 |
Transakustische Forschung |
1998 |
conferences & symposia
|
MARCH MEETING 2018: ACTIVE FORMS. (conference). (attendance), Sharjah (V. arab. Emirate). |
2018 |
ON EPISTEMOLOGY AND MODES OF LANGUAGE. (conference). (attendance), Barcelona (Spanien). |
2018 |
SESSION 13. (artist talk). (Lecturer), Wiels, Belgium. |
2018 |
conference contributions
|
BLACKMARKET FOR USEFUL KNOWLEDGE AND NON-KNOWLEDGE |
2019 |
SCORING AESTHETIC ENCOUNTERS |
2019 |
AUTODUETT |
2018 |
PARALLEL-PARASITE |
2018 |
SALON FÜR ÄSTHETISCHE EXPERIMENTE - SPECIAL |
2018 |
THINKING THROUGH PRACTICES |
2018 |
) ( ) ( : Eine Versuchsanordnung |
2017 |
CON-NOTATIONS: workshop+lecture |
2017 |
Choreo-graphic Figures: Deviations from the Line |
2017 |
Choreo-graphic Figures: Deviations from the Line |
2017 |
Choreo-graphic Figures: Deviations from the Line |
2017 |
DRAWING FROM THE FUTURE |
2017 |
Drawing between the Lines: Towards Embodied Diagrammatics |
2017 |
Expanded Drawing |
2017 |
On Qualitative Specificity (How-ness) within Artistic Research |
2017 |
PERFORMING EMBODIED DIAGRAMMATICS |
2017 |
PUBLISHING IN THE CONTEXT OF ARTISTIC RESEARCH |
2017 |
Practices of notation – Practices of reflection |
2017 |
The Show Must Go On |
2017 |
Co-thinking re-figured. Choreo-graphic Figures |
2016 |
DRAWING SPACES |
2016 |
MAPPING TRANSIENCE – DRAWING DISTINCTIONS |
2016 |
OBJECTS YET TO BECOME |
2016 |
WORDSDONTCOMEEASY |
2016 |
ARE YOU ALIVE OR NOT? |
2015 |
Choreo-graphic Figures: The Notion >< Notation of Figuring |
2015 |
FINDING PROBLEMS – DRAWING CONCLUSIONS. A PING PONG |
2015 |
There Is No Neutral Space |
2015 |
A dialogue on forms and figures of Co and Non - Cos |
2014 |
Artistic Research |
2014 |
Choreo-graphic Figures |
2014 |
Choreo-graphic Figures |
2014 |
Contingencies |
2014 |
DRAWING BEYOND. Zeichnen zwischen Denken und Handeln |
2013 |
Otto's Nightmare - Denkfiguren zwischen Piktogramm und Diagramm |
2013 |
Schnittstelle x 10: Nikolaus Gansterer |
2013 |
The Vegetable Orchestra |
2013 |
Translecture |
2013 |
Tuned City Brussels: Lecture-event #2 – Artist presentations |
2013 |
Drawing a Hypothesis |
2012 |
Drawing on Drawing a Hypothesis |
2012 |
Drawing on Drawing a Hypothesis |
2012 |
Drawing on Drawing a Hypothesis |
2012 |
Drawing on Drawing a Hypothesis |
2011 |
HOW TO DO THINGS WITH LINES |
1918 |
DRAWING MATTERS OTHER OTHERS |
|
audio
|
Hearing Cage |
2012 |
Nachtquartier |
2012 |
concerts
|
WURZEL& WERK |
2018 |
PARKOMANIA |
2016 |
The Vegetable Orchestra |
2013 |
The Vegetable Orchestra |
2013 |
Faithful! |
2012 |
Onionoise |
2012 |
activities
|
BEST AUSTRIAN ANIMATION FILMS at ARS ELECTRONICA 2018 |
2018 |
Jurymitglied Art in Public Space |
2017–2019 |
Beauty is as hard to catch as a little bird |
2016 |
La co-creazione dello spazio |
2016 |
12. Havanna Biennale: Zwischen Idee und Erfahrung |
2015 |
Abschied vom falschen Wissen: Die Projektmacher*innen |
2015 |
Comme Au MuCEM #9 |
2015 |
Creare insieme lo spazio |
2015 |
Das große Kritzeln |
2015 |
Drawing Now |
2015 |
Drawing Now - Die Emanzipation des Papiers |
2015 |
Drawing Now - Die Linie in neuen Dimensionen |
2015 |
Drawing Now - Emanzipation der Zeichnung vom Papier |
2015 |
Drawing Now 2015: Kritzeleien auf Zäunen stillstehender Städte |
2015 |
Drawing Now, Das explodierte Grafikkabinett |
2015 |
Entre Idea la Experiencia |
2015 |
Expo mit Artischocken |
2015 |
Expo: Auch kritischer Blick willkommen |
2015 |
La Habana se mira desde el art: Bienal de La Habana 2015 |
2015 |
La centralità dello spazio con proxemia |
2015 |
Malestar en la cultura. Identidades globales y territorialidad |
2015 |
Pause d’attenzione |
2015 |
Philosophy On Stage: Tanz die schwere Denke |
2015 |
Projektemachen im Projective Age |
2015 |
Proxemia. The Co-Creation of Space |
2015 |
The Bottom Line - Tekenen is denken |
2015 |
Wege vom Catwalk und aus der Krise finden |
2015 |
Über die Schulter in die Unordnung geschaut |
2015 |
Translectures - Nikolaus Gansterer |
2014 |
Jurymitglied Art in Public Space |
2013–2016 |
Den Sprüngen der Synapsen auf der Spur |
2013 |
Denken, Chaos, Wirklichkeit |
2013 |
Denkfigurenlabor |
2013 |
Der Ausstellungsraum als Kunstkosmos |
2013 |
Diagramme zum Milieu der Toten |
2013 |
Im Kosmos der flüchtigen Gedanken |
2013 |
Kunst im Labor: Geistesblitze in Diagrammform |
2013 |
Lavagne d'arte per Gansterer |
2013 |
Memory Map |
2013 |
Nikolaus Gansterer |
2013 |
Nikolaus Gansterer |
2013 |
Nikolaus Gansterer - Thinking Matters |
2013 |
PHASE III |
2013 |
Thinking Matters |
2013 |
Vom Gedanken zur Materie |
2013 |
When thought becomes matter and matter turns into thought |
2013 |
Diagrammatik des Untoten |
2012 |
festivals
|
MODELL UND RUINE |
2019 |
SHARJAH BIENNIAL 14 |
2019 |
performances
|
COOK’S NEW CLOTHES I |
2018 |
COOK’S NEW CLOTHES II |
2018 |
ENTWURF EINER ERWEITERTEN GRAMMATIK DES KONTINUUMS |
2018 |
ON ENCLOSED SPACES AND THE GREAT OUTDOORS II |
2018 |
space in a space with the traces of its own making |
2018 |
Crossing Borders |
2017 |
DRIFTING GROUND. A SONIC TRANSLECTURE |
2017 |
FUTURE BONES |
2017 |
NAURUTICA - SYNTHETIC FUTURE ISLANDS AND THE TRAGEDY OF OUTER SPACE |
2017 |
THE RESTITUTION OF COMPLEXITY I |
2017 |
THE RESTITUTION OF COMPLEXITY II |
2017 |
TRAJECTORIES #01: NEW DRAWING EMBODIMENTS |
2017 |
Body Diagrams |
2016 |
EMBODIED DIAGRAMS |
2016 |
THE MAP IS (NOT) THE TERRITORY |
2016 |
DIE PROJEKTEMACHER*INNEN - Szenen des Entwerfens |
2015 |
DRAWING MATTERS OTHER OTHERS |
2015 |
METHOD LAB II |
2015 |
NOTION OF NOTATION >< NOTATION OF NOTION |
2015 |
Nietzsche Diagrams |
2015 |
Translecture - Ecce Homo |
2015 |
Translectures Open Forum |
2015 |
WINTER LAB - RADICAL SCORES OF ATTENTION II |
2015 |
"GRUNDEINKOMMENSTANZ / BASIC INCOME DANCE" |
2014 |
"METHOD LAB I: WHAT IF?" |
2014 |
"SCORES #8: LURES OF SPECULATION" |
2014 |
"THINKING MATTERS OTHER OTHERS. A TRANSLECTURE" at scores#9 |
2014 |
Artista Como |
2014 |
Foreign Affairs |
2013 |
The Vegetable Orchestra |
2013 |
Taste |
2012 |
CHOREOGRAPHY IN ACTION |
|
sculptures
|
Libra - Balancing the Invisible |
2012 |
General Publications
|
Drawing as Thinking in Action |
|
TRANSLATIONSCAPES |
|