|
documents/publications
|
| articles |
| Choreo-graphic Figures: Scoring Aesthetic Encounters |
2019 |
| General documents/publications |
| Con-notations: Nikolaus Gansterer. (artistic book/catalogue). (author), Nizza (Frankreich). |
2018 |
| Lightness and Matter. Matter and Lightness. (artistic sound/image/data medium). (author), Wien (Österreich). |
2017 |
| Manufactories of caring space–time. (artistic sound/image/data medium). (author), Gent. (Österreich). |
2017 |
| Wien von Oben. Die Stadt auf einen Blick. (artistic publication). (author), Wien (Österreich). |
2017 |
| no/things. (artistic publication). (author), Wien (Österreich). |
2017 |
| 9 JIGS (TO CO-). (artistic book/catalogue). (author), Wien (Österreich). |
2016 |
| Atlas of Lines. (artistic book/catalogue). (author), Berlin (Österreich). |
2016 |
| LOREM IPSUM DOLOR SIT AMET (Volume III). (artistic book/catalogue). (author), Österreich. |
2016 |
| Choreo-graphic Figures: Beginnings and Emergences. (online newspaper article). (mention), Finnland. |
2015 |
| Drawing Now: 2015. (artistic book/catalogue). (author), Munich (Deutschland). |
2015 |
| Drawing. The Bottom Line. (artistic book/catalogue). (author), Ghent (Belgien). |
2015 |
| FUKT. (artistic book/catalogue). (author), Berlin (Deutschland). |
2015 |
| GAGARIN. (artistic book/catalogue). (author), Antwerp (Belgien). |
2015 |
| Notion of Notation > < Notation of Notion. (newspaper review). (mention), GB u. Nordirland. |
2015 |
| Thinking Matters Other Others. (newspaper review). (mention), Deutschland. |
2015 |
| DRAWINGROOM. (artistic book/catalogue). (author), Kraichtal/b.Karlsruhe (Deutschland). |
2014 |
| The Third Hand. (online newspaper article). (mention), New York (USA). |
2014 |
| Translectures. (online newspaper article). (author), Österreich. |
2014 |
| Writing Scores. (artistic book/catalogue). (author), Brussels (Belgien). |
2014 |
| Artists in Multifunctions. (artistic book/catalogue). (author), Wien (Österreich). |
2013 |
| Mind Lines. (artistic book/catalogue). (author), Bratislava (Slowakei). |
2013 |
| Schaubilder. (artistic book/catalogue). (author), Berlin (Deutschland). |
2013 |
| When Thought becomes Matter and Matter turns into Thought. (artistic book/catalogue). (author), Wien (Österreich). |
2013 |
| derdiedas ATLAS usw. (artistic book/catalogue). (author), Wien (Österreich). |
2013 |
| "The Hand & The Creature" (Nikolaus Gansterer & Moira Roth). (newspaper review). (artist), Melbourne (Australien). |
2012 |
| Kartographisches Denken. (artistic book/catalogue). (author), Wien (Österreich). |
2012 |
| Drawing a Hypothesis – Figures of Thought. (artistic book/catalogue). (author), Österreich. |
2011 |
|
research and projects
|
| CHOREO–GRAPHIC FIGURES. DEVIATIONS FROM THE LINE |
|
|
awards and grants
|
| MAC INTERNATIONAL ART AWARD 2018 |
2018 |
| Best Austrian experimental animation film 2017 |
2017 |
| 34. ÖSTERREICHISCHER GRAFIKWETTBEWERB / AUSTRIAN GRAPHIC ART COMPETITION" |
2015 |
| Kulturpreis "Bildende Kunst" |
2009 |
| Honorary mention for ”Digital Music”, Prix Ars Electronica, Linz, Austria |
2006 |
| Förderpreis |
2004 |
| Staatsstipendium |
2003 |
|
exhibitions
|
| BOUNDLESS OBJECTS |
2019–2020 |
| EXPERIMENTAL DIAGRAMMING |
2019–2020 |
| MADE IN MARL |
2019–2020 |
| NIKOLAUS GANSTERER |
2019–2020 |
| THE EXTENDED MIND |
2019–2020 |
| ) ( ) DRAWING AS THINKING IN ACTION |
2019 |
| ART BRUSSELS |
2019 |
| CROSS-SECTIONS at EXLAB |
2019 |
| CROSS-SECTIONS at KONSTFACK |
2019 |
| ECOCINEMA |
2019 |
| FRAGILE NARRATIVES |
2019 |
| THE STARS LOOK SO DIFFERENT TONIGHT |
2019 |
| THROUGH PHENOMENA THEMSELVES |
2019 |
| UNDERSTANDING - ART & RESEARCH |
2019 |
| UNDERSTANDING - ART & RESEARCH (Tokio) |
2019 |
| UNDERSTANDING – ART & RESEARCH ( Santa Monica) |
2019 |
| VIENNA CONTEMPORARY |
2019 |
| WHILE I KISS THE SKY |
2019 |
| VOLATILE DREAMS - FLÜCHTIGE TRÄUME |
2018–2019 |
| CON-NOTATIONS -
exhibition |
2018 |
| CROSSSECTIONS: POTENTIALS |
2018 |
| KUNST & KOHLE - THE BATTLE OF COAL |
2018 |
| LE BOUC DIVIN |
2018 |
| REGIME DER VORHERSAGE |
2018 |
| THE LONG NOW |
2018 |
| THE LONG NOW |
2018 |
| TRACES ECRITES |
2018 |
| UNDERSTANDING ART & RESEARCH (Dunedin) |
2018 |
| "LIGHTNESS AND MATTER. MATTER AND LIGHTNESS" |
2017 |
| ARGUMENT PLACE |
2017 |
| AUSTRIAN ANIMATION FILM FESTIVAL |
2017 |
| CON-NOTATIONS - research residency |
2017 |
| DON’T CALL IT OFF-SPACE! |
2017 |
| DRAWING PRAXIS |
2017 |
| GESTURE, TRACE AND PERFORMANCE |
2017 |
| MARSEILLE RÉSONANCE 2017 |
2017 |
| NIKOLAUS GANSTERER – EPHEMERAL COHERENCES |
2017 |
| TRAJECTORIES #02”: NEW DRAWING EMBODIMENTS |
2017 |
| URBAN LIGHTS RUHR FESTIVAL |
2017 |
| VIENNA CONTEMPORARY - THE NEW LINE |
2017 |
| WIEN VON OBEN. DIE STADT AUF EINEN BLICK |
2017 |
| ba ≠ b + a: 10 YEARS MUSA |
2017 |
| 34. ÖSTERREICHISCHER GRAFIKWETTBEWERB |
2016 |
| ANTENNA FUTURA - FUTUROLOGICAL EXERCICES FOR THE UNKNOWN |
2016 |
| DRAWING NOW PARIS |
2016 |
| FLUCA - AUSTRIAN CULTURAL PAVILION |
2016 |
| IN DER KUBATUR DES KABINETTS: GET INVOLVED |
2016 |
| KRISTALLE IM BETON – DIE PRODUKTIVE LEICHTIGKEIT |
2016 |
| LABOR DER PLÖTZLICHKEIT |
2016 |
| MARSEILLE RÉSONANCE 2016 |
2016 |
| PROXEMIA – ANOTHER CO-CREATION OF SPACE |
2016 |
| THE MINOR GESTURE – LE MOINDRE GESTE – HET KLEINE GEBAAR |
2016 |
| 34th Austrian Graphic Competition |
2015 |
| A Proposal to Call |
2015 |
| CALL FOR DRAWINGS |
2015 |
| CONTEMPORARY CODE |
2015 |
| DRAWING NOW |
2015 |
| HAVANA BIENNIAL |
2015 |
| IMMUTABLE MOBILES |
2015 |
| PROXEMIA - THE CO-CREATION OF SPACE |
2015 |
| PSYCHOREOGRAPHIES |
2015 |
| THE LATERAL LINE ORGAN |
2015 |
| The Bottom Line |
2015 |
| The Art of Bombing |
2014–2104 |
| From Inner to Outer Shadow |
2014–2015 |
| Time (less) Signs |
2014–2015 |
| Arte Fiera |
2014 |
| Beyond the Line |
2014 |
| Correlations |
2014 |
| DRAWINGROOM |
2014 |
| Drawing Now |
2014 |
| Inventing Temperature |
2014 |
| Katja Davar / Nikolaus Gansterer |
2014 |
| Movement Matters |
2014 |
| Our City! |
2014 |
| My Brain Is in My Inkstand: Drawing as Thinking and Process |
2013–2014 |
| Alchemie |
2013 |
| Artissima |
2013 |
| Artists in Multifunctions |
2013 |
| Athen Biennale 4 |
2013 |
| Drawingroom |
2013 |
| Jahresgaben |
2013 |
| Keep Taking It Apart |
2013 |
| Nikolaus Gansterer - When Thought becomes Matter and Matter turns into Thought |
2013 |
| Nikolaus Gansterer – Thinking Matters |
2013 |
| The Gray Matter Hypothesis |
2013 |
| Volta 9 |
2013 |
| Wagner Extase |
2013 |
| Schaubilder/Diagrams |
2012–2013 |
| Zeit(lose) Zeichen / time(less) signs |
2012–2013 |
| A study on knowledge |
2012 |
| Beziehungsweise |
2012 |
| Nicht nur ein Bild, sondern eine ganze Welt |
2012 |
| Play together |
2012 |
| World Book Design |
2012 |
| Connected - Listen to the other side |
2011 |
| Lonely at the Top - Graphology 4 |
2011 |
| The Borders of Drawing |
2011 |
| Traces of Spaces / The Game is Up |
2011 |
| Convection |
2010 |
| Ohne Titel |
2010 |
| Story behold. Story be told |
2010 |
|
teaching
|
| NIKOLAUS GANSTERER - ARTIST TALK |
2018 |
| SALON FÜR ÄSTHETISCHE EXPERIMENTE - SPECIAL |
2018 |
| Vortrag |
2016 |
| Vortrag / Choreo-graphic Figures Summerlab |
2016 |
| Vortrag / Choreo-graphic Figures Summerlab |
2016 |
| Vortrag / Choreo-graphic Figures Summerlab |
2016 |
| Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
| Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
| Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
| Workshop + Lecture / Choreo-graphic Figures Summerlab |
2016 |
| "NOTATIONS BETWEEN THOUGHT AND MATTER" |
2014 |
| Chinese Whispers & Original Copies |
2013 |
| Alien Logic - Figures of Thought |
2012 |
| Transakustische Forschung |
1998 |
| Transakustische Forschung |
1998 |
|
conferences & symposia
|
| MARCH MEETING 2018: ACTIVE FORMS. (conference). (attendance), Sharjah (V. arab. Emirate). |
2018 |
| ON EPISTEMOLOGY AND MODES OF LANGUAGE. (conference). (attendance), Barcelona (Spanien). |
2018 |
| SESSION 13. (artist talk). (Lecturer), Wiels, Belgium. |
2018 |
|
conference contributions
|
| BLACKMARKET FOR USEFUL KNOWLEDGE AND NON-KNOWLEDGE |
2019 |
| SCORING AESTHETIC ENCOUNTERS |
2019 |
| AUTODUETT |
2018 |
| PARALLEL-PARASITE |
2018 |
| SALON FÜR ÄSTHETISCHE EXPERIMENTE - SPECIAL |
2018 |
| THINKING THROUGH PRACTICES |
2018 |
| ) ( ) ( : Eine Versuchsanordnung |
2017 |
| CON-NOTATIONS: workshop+lecture |
2017 |
| Choreo-graphic Figures: Deviations from the Line |
2017 |
| Choreo-graphic Figures: Deviations from the Line |
2017 |
| Choreo-graphic Figures: Deviations from the Line |
2017 |
| DRAWING FROM THE FUTURE |
2017 |
| Drawing between the Lines: Towards Embodied Diagrammatics |
2017 |
| Expanded Drawing |
2017 |
| On Qualitative Specificity (How-ness) within Artistic Research |
2017 |
| PERFORMING EMBODIED DIAGRAMMATICS |
2017 |
| PUBLISHING IN THE CONTEXT OF ARTISTIC RESEARCH |
2017 |
| Practices of notation – Practices of reflection |
2017 |
| The Show Must Go On |
2017 |
| Co-thinking re-figured. Choreo-graphic Figures |
2016 |
| DRAWING SPACES |
2016 |
| MAPPING TRANSIENCE – DRAWING DISTINCTIONS |
2016 |
| OBJECTS YET TO BECOME |
2016 |
| WORDSDONTCOMEEASY |
2016 |
| ARE YOU ALIVE OR NOT? |
2015 |
| Choreo-graphic Figures: The Notion >< Notation of Figuring |
2015 |
| FINDING PROBLEMS – DRAWING CONCLUSIONS. A PING PONG |
2015 |
| There Is No Neutral Space |
2015 |
| A dialogue on forms and figures of Co and Non - Cos |
2014 |
| Artistic Research |
2014 |
| Choreo-graphic Figures |
2014 |
| Choreo-graphic Figures |
2014 |
| Contingencies |
2014 |
| DRAWING BEYOND. Zeichnen zwischen Denken und Handeln |
2013 |
| Otto's Nightmare - Denkfiguren zwischen Piktogramm und Diagramm |
2013 |
| Schnittstelle x 10: Nikolaus Gansterer |
2013 |
| The Vegetable Orchestra |
2013 |
| Translecture |
2013 |
| Tuned City Brussels: Lecture-event #2 – Artist presentations |
2013 |
| Drawing a Hypothesis |
2012 |
| Drawing on Drawing a Hypothesis |
2012 |
| Drawing on Drawing a Hypothesis |
2012 |
| Drawing on Drawing a Hypothesis |
2012 |
| Drawing on Drawing a Hypothesis |
2011 |
| HOW TO DO THINGS WITH LINES |
1918 |
| DRAWING MATTERS OTHER OTHERS |
|
|
audio
|
| Hearing Cage |
2012 |
| Nachtquartier |
2012 |
|
concerts
|
| WURZEL& WERK |
2018 |
| PARKOMANIA |
2016 |
| The Vegetable Orchestra |
2013 |
| The Vegetable Orchestra |
2013 |
| Faithful! |
2012 |
| Onionoise |
2012 |
|
activities
|
| BEST AUSTRIAN ANIMATION FILMS at ARS ELECTRONICA 2018 |
2018 |
| Jurymitglied Art in Public Space |
2017–2019 |
| Beauty is as hard to catch as a little bird |
2016 |
| La co-creazione dello spazio |
2016 |
| 12. Havanna Biennale: Zwischen Idee und Erfahrung |
2015 |
| Abschied vom falschen Wissen: Die Projektmacher*innen |
2015 |
| Comme Au MuCEM #9 |
2015 |
| Creare insieme lo spazio |
2015 |
| Das große Kritzeln |
2015 |
| Drawing Now |
2015 |
| Drawing Now - Die Emanzipation des Papiers |
2015 |
| Drawing Now - Die Linie in neuen Dimensionen |
2015 |
| Drawing Now - Emanzipation der Zeichnung vom Papier |
2015 |
| Drawing Now 2015: Kritzeleien auf Zäunen stillstehender Städte |
2015 |
| Drawing Now, Das explodierte Grafikkabinett |
2015 |
| Entre Idea la Experiencia |
2015 |
| Expo mit Artischocken |
2015 |
| Expo: Auch kritischer Blick willkommen |
2015 |
| La Habana se mira desde el art: Bienal de La Habana 2015 |
2015 |
| La centralità dello spazio con proxemia |
2015 |
| Malestar en la cultura. Identidades globales y territorialidad |
2015 |
| Pause d’attenzione |
2015 |
| Philosophy On Stage: Tanz die schwere Denke |
2015 |
| Projektemachen im Projective Age |
2015 |
| Proxemia. The Co-Creation of Space |
2015 |
| The Bottom Line - Tekenen is denken |
2015 |
| Wege vom Catwalk und aus der Krise finden |
2015 |
| Über die Schulter in die Unordnung geschaut |
2015 |
| Translectures - Nikolaus Gansterer |
2014 |
| Jurymitglied Art in Public Space |
2013–2016 |
| Den Sprüngen der Synapsen auf der Spur |
2013 |
| Denken, Chaos, Wirklichkeit |
2013 |
| Denkfigurenlabor |
2013 |
| Der Ausstellungsraum als Kunstkosmos |
2013 |
| Diagramme zum Milieu der Toten |
2013 |
| Im Kosmos der flüchtigen Gedanken |
2013 |
| Kunst im Labor: Geistesblitze in Diagrammform |
2013 |
| Lavagne d'arte per Gansterer |
2013 |
| Memory Map |
2013 |
| Nikolaus Gansterer |
2013 |
| Nikolaus Gansterer |
2013 |
| Nikolaus Gansterer - Thinking Matters |
2013 |
| PHASE III |
2013 |
| Thinking Matters |
2013 |
| Vom Gedanken zur Materie |
2013 |
| When thought becomes matter and matter turns into thought |
2013 |
| Diagrammatik des Untoten |
2012 |
|
festivals
|
| MODELL UND RUINE |
2019 |
| SHARJAH BIENNIAL 14 |
2019 |
|
performances
|
| COOK’S NEW CLOTHES I |
2018 |
| COOK’S NEW CLOTHES II |
2018 |
| ENTWURF EINER ERWEITERTEN GRAMMATIK DES KONTINUUMS |
2018 |
| ON ENCLOSED SPACES AND THE GREAT OUTDOORS II |
2018 |
| space in a space with the traces of its own making |
2018 |
| Crossing Borders |
2017 |
| DRIFTING GROUND. A SONIC TRANSLECTURE |
2017 |
| FUTURE BONES |
2017 |
| NAURUTICA - SYNTHETIC FUTURE ISLANDS AND THE TRAGEDY OF OUTER SPACE |
2017 |
| THE RESTITUTION OF COMPLEXITY I |
2017 |
| THE RESTITUTION OF COMPLEXITY II |
2017 |
| TRAJECTORIES #01: NEW DRAWING EMBODIMENTS |
2017 |
| Body Diagrams |
2016 |
| EMBODIED DIAGRAMS |
2016 |
| THE MAP IS (NOT) THE TERRITORY |
2016 |
| DIE PROJEKTEMACHER*INNEN - Szenen des Entwerfens |
2015 |
| DRAWING MATTERS OTHER OTHERS |
2015 |
| METHOD LAB II |
2015 |
| NOTION OF NOTATION >< NOTATION OF NOTION |
2015 |
| Nietzsche Diagrams |
2015 |
| Translecture - Ecce Homo |
2015 |
| Translectures Open Forum |
2015 |
| WINTER LAB - RADICAL SCORES OF ATTENTION II |
2015 |
| "GRUNDEINKOMMENSTANZ / BASIC INCOME DANCE" |
2014 |
| "METHOD LAB I: WHAT IF?" |
2014 |
| "SCORES #8: LURES OF SPECULATION" |
2014 |
| "THINKING MATTERS OTHER OTHERS. A TRANSLECTURE" at scores#9 |
2014 |
| Artista Como |
2014 |
| Foreign Affairs |
2013 |
| The Vegetable Orchestra |
2013 |
| Taste |
2012 |
| CHOREOGRAPHY IN ACTION |
|
|
sculptures
|
| Libra - Balancing the Invisible |
2012 |
|
General Publications
|
| Drawing as Thinking in Action |
|
| TRANSLATIONSCAPES |
|
