Opening words by vice rector for research
Putz-Plecko
We are honored to welcome the renowned artist
Shu Lea Cheang, taking up elements of
her actual Biennale di Venecia piece 3x3x9 in a participatory activism court – please join in! Register as “player” under
the address:
margarete.jahrmann@uni-ak.ac.atShu Lea Cheang
is an artist, filmmaker, networker working with various art mediums and film formats, including installation, performance,
net art, public art, video installation, feature-length film and mobile web serial. As a net art pioneer, her project BRANDON
(1998-1999) was the first web art commissioned and collected by the Guggenheim Museum in New York. She drafts sci-fi narratives
in her film scenario and artwork imagination, crafting her own “science” fiction genre of new queer cinema. From homesteading
cyberspace in the 90s to her current retreat to post net-crash BioNet zone, Cheang takes on viral love, bio hack in her current
cycle of works. This year, she is representing Taiwan with a solo exhibition 3x3x6 at Venice Biennale 2019. Her current projects
in development UNBORN0x9 (a hacking performance) and UKI (an interruptive cinema) are funded by DICRéAM, CNC (Centre National
du Cinéma) in France.
http://mauvaiscontact.infoIn her current installation
3x3x6 (on view at Venice Biennale till November 24, 2019), Shu Lea Cheang reflects upon the transformation of surveillance
techniques since the panopticon to include contemporary 3-D facial recognition and investigates 10 criminal cases in which
the prisoners across time and space are incarcerated for sexual provocation and gender affirmation. The exhibition constructs
collective counter-accounts of sexuality where trans punk fiction, queer, and anti-colonial imaginations hacks the operating
system of the history of sexual subjection. For Ludic Society presentation, Cheang takes up the case of “Regina V. Saunders”
(1991) in which the defendant, Jennifer Lynne Saunders, age 18, was sentenced to six years in prison for two counts of indecent
assault. Excerpts selected from the court hearing that took place at Doncaster County Court in 1991 convene a performative
re-enactment of gender play, gender fxxxking.