Die Ausstellungsräumlichkeiten des AIL sind in Analogie zu
den bundesweiten Bestimmungen für Kunsthallen und Museen geschlossen.
Veranstaltungen
sind bis auf weiteres verschoben.
For decades, art has at times been part of other, non-artistic
systems such as ecology, politics, agriculture, religion, anthropology, and therapy. Art is a singular human activity, whose
very lack of clarity in terms of what it is or is not should be considered in terms of its vitality and ability to adapt.
The blurring of art’s boundaries enables it to cross-pollinate conquer new territories.
Please register via
info@ailab.at In 1987, artist Peter
Nadin bought the nineteenth-century Old Field Farm in the Catskill Mountains, New York, devoting himself
to farming and animal husbandry. Starting from the film The First Mark Sebastian Cichocki will introduce his research
on art which becomes a part of something else.
The HASENHERZ or the Pleasures of the Moving
Image and Word sessions present artistic research from academic and non-academic background to a wider audience.
By means of repetition and an open and receptive conversation between the audience and invited artistic researchers, new ways
of artistic and curatorial practice and their novel ways of knowledge work will be introduced to the audience.
Sebastian
Cichocki (PL) is chief curator and head of research at the Museum of Modern Art in Warsaw. In his curatorial and
publishing projects, he refers to the history of ecological, feminist and antifascist movements. Selected curated and co-curated
exhibitions: Who Will Write the History of Tears. Artists on Reproduction Rights (2021), The Penumbral Age. Art in the
Time of Planetary Change (2020), Never Again. Art against War and Fascism in the 20th and 21st Centuries, Museum of Modern
Art Warsaw (2019), Yael Bartana’s ... and Europe will be Stunned, Polish Pavilion at the 54th International Art Exhibition,
Venice (2011, with G. Eilat)
Ruth Anderwald + Leonhard Grond have been working
as a collective in artistic, curatorial and artistic-research contexts since 1999. They perceive their artistic practice as
a dialogue with and between disciplines. Their art and artistic research is primarily concerned with exploring zones of dizziness
and uncertainty. With their association HASENHERZ they emphasize the importance of repetition and remembering, contemplating
of processes of change with the means of art and the reflection of art. Anderwald + Grond are Professors for the Doctoral
Programme Artistic Research at Angewandte. Navigating Dizziness Together is their current project at the ZFF, Angewandte –
funded by FWF PEEK.