|
documents/publications
|
| monographs |
| Die Kleinplastiken von James Pradier |
2011 |
| edited books/publications |
| maskelknie hoffensdick |
2022 |
| Can You Hear Me Knocking? |
2020 |
| Martin Pfeifle. REXXX |
2020 |
| Queer Curating |
2018 |
| articles |
| Negotiating the Absent |
2016 |
| From Ceramics to the Bronze Age |
2012 |
| chapters |
| Stadt o. N. |
2022 |
| Terrassendach-Ceddy |
2022 |
| Die Großzügigkeit der frau b. |
2020 |
| Wozu der Mensch Lust hat, dazu hat er auch Andacht |
2020 |
| Marler Medienkunst-Preise |
2019 |
| ...so eine Art existentielle Plastik. |
2018 |
| Marler Medienkunst-Preise |
2017 |
| general documents/publications |
| Histories of a Collection II. (Series/Monographic Series). (Author). |
2020 |
| Sammlungsgeschichten II. (Series/Monographic Series). (Author). |
2020 |
| Technoprancer. (Artists’ Books). (Author). |
2020 |
| Histories of a Collection I. (Series/Monographic Series). (Author). |
2019 |
| Sammlungsgeschichten I. (Series/Monographic Series). (Author). |
2019 |
| Cy Twombly. (Catalogue). (Editing). |
2012 |
|
research and projects
|
| Erschließungsprojekt Archiv Museum Folkwang |
2020–2021 |
| Bestandsprojekt Museum Folkwang: Zugänge 1933–1946 und 1946–1970 |
2019–2020 |
|
fellowships and visiting affiliations
|
| Research Fellowship |
2013 |
|
exhibitions
|
| maskelknie hoffensdick |
2022 |
| Technoprancer |
2020 |
| Christian Jendreiko und Gäste |
2019 |
| Tobias Spichtig. |
2019 |
|
teaching projects & external teaching
|
| teaching projects & external teaching |
| Alexander Kluge Workshop |
2019 |
|
conferences & symposia
|
| Homo Ex Machina. (Symposium). (Concept, Curator, Moderation), Museum Folkwang, Essen, NW, Deutschland. |
2020 |
| Can You Hear Me Knocking?. (Symposium). (Concept, Curator, Moderation). |
2019 |
| Machtordnungen in Museen. (Panel Discussion). (Contribution). |
2019 |
| Corporeality. (Symposium). (Concept, Curator, Moderation), Museum Folkwang, Essen, NW, Deutschland. |
2018 |
| Queer Exhibitions / Queer Curating. (Symposium). (Curator, Moderation), Museum Folkwang, Essen, NW, Deutschland. |
2017 |
|
conference contributions
|
| Exhibitions with Provenance Focus |
2019 |
| L'intelligence de la plante du pied |
2019 |
| Podiumsdiskussion. Machtordnungen und Interaktionen im Museum |
2019 |
|
education & qualification
|
| Deutsch-Amerikanisches Austauschprogramm zur Provenienzforschung für Museen |
2019 |
|
functions & practice
|
| general functions & practice |
| TEFAF Vetting Member, Modern and Contemporary Art |
2022 |
| Nachtfoyer Spezial |
2020 |
| Im Rausch der Arbeit |
2017 |
|
performances
|
| Die Hohepriesterin im Gelmeroda Hochgebirge |
2020 |
|
science to public
|
| public appearances |
| Language matters |
2019 |
| Klingende Kunst im Museum. |
|
|
film/video
|
| Die Priesterin |
2017 |
